Dr Ruoxi Liu
I am a Stanley Ho Junior Research Fellow at Pembroke College, University of Oxford. My primary research interests lie in investigating grassroots creativity, community activism(s), alternative practices, and care under restricted socio-economic-political contexts. While the context I primarily engage with is contemporary China, I am attentive to how local practices and practitioners travel across the ‘borders’ and connect with one another.
Trained as a sociologist of work and culture, my research has focused on the self-employed/independent workers, freelancers, cultural workers/artists, craft workers and craft-making, and alternative communities in contemporary China. This research stream was initially driven by a curiosity about what it means to ‘being independent as a creator’ in the Chinese context. As my engagement and practices with independent cultural workers and their communities deepened, I came to recognise their individual and community-based experiments with alternative lifestyles, which is a hopeful and creative journey yet with uncertainties and very concrete obstacles. My continuing engagement with my interlocutors (since 2020) has allowed me to go deeper to one of my field sites – Jingdezhen and explore the changing meaning and politics of craft-making in China.
I enjoy teaching and exchanging ideas with students. In 2024-2025, I was a departmental lecturer in the Contemporary Chinese Studies programme at OSGA, co-teaching the Study of Contemporary China, Qualitative Research Methods, Dissertation Workshop, and offering my Master’s-level option on Creative Labour in China. In 2025-2026. I teach for the Faculty of Asian and Middle Eastern Studies (Modern China) and the School of Global and Area Studies (Qualitative Research Methods and Dissertation Workshop).
I am a college advisor here at Pembroke and am committed to strengthening the Chinese Studies community with Stanley Ho Professor Henrietta Harrison.
Articles
- Liu, R. Xu, B. 2025. “Why do we hold ‘family history’ exhibitions in today’s China?”, Made in China Journal
- Liu, R. 2024. “Feminist Alternative Practices Among Independent Artists: The Case of Guangzhou, China”, Global Media and China 9 (2) (Special Issue: Feminist Media Production and Beyond)
- Liu, R. 2023. “Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen”, Journal of Modern Craft 16 (2-3): 135-154
- Liu, R. 2022. “Drifting in China's Porcelain Capital: Self-Realization and Alternative-seeking of the Self-Employed Craft Workers in Jingdezhen”, Asian Anthropology 21 (4): 263-282.
- Liu, R. 2022. “In the Face of Instability and Marginalisation in a Gendered Craft Industry: Self-Realisation and Resilience of the Self-employed Craftswomen in Jingdezhen, China”, International Journal of Business Anthropology 12 (2): 67-77.
Book chapters
- Liu, 2020. “A Better Structural Integration Achieved? – Evidence from the Career Pathway of Second-generation French Chinese under the Perspective of Segmented Assimilation Theory”, Collection of Chinese Immigrants in Europe: Image, Identity and Social Participation. Berlin: De Gruyter Press
Other publications
- 2025,上山下地的沙巴纪行:从《叙异记》看在地与跨地的亚际行动实践[Through Sabah’s Mountains and Lands: Seeing Local and Trans-contexual Inter-Asian Practices in the ‘Narrating Localities’]. 艺术论坛[Artforum] https://www.artforum.com.cn/diary/15822
- 2025,刻印亞洲:「敘異記」中的版畫實踐與藝術行動 [Engraving Asia: ‘Woodcut Practices and Art Activism in ‘Narrating Localities’]. 博物之岛[MUSUEM]. https://reurl.cc/9nLb8Y
- 2024, 当确认了“没有另一种生活”以后:行动与日常之辨["After confirming ‘there is no other alternative life’: distinguishing (or not) between activsm and everyday life."], social-engaged art project – ‘Threading through the eye of the needle’, sponsored by "He Di Zai Chuang.
- 2024, First Love Letter, The Anartist Book Club, Asymmetry Art Foundation
- 2023, ESEA Hub, Reflections on ESEA (East and South-Eastern Asian) Conference Organising
- 2021, Sixth Tone, Jingdezhen’s Ancient Ceramics Industry Faces an Uncertain Future
- 2021, Cambridge Researcher Blog, Where to Stand in the Fieldwork? Positionality and Distance in Ethnography
- 2020, Sixth Tone, Freelancing Isn’t Free: Why It’s So Hard to Go Solo in China
Dr Ruoxi Liu
I am a Stanley Ho Junior Research Fellow at Pembroke College, University of Oxford. My primary research interests lie in investigating grassroots creativity, community activism(s), alternative practices, and care under restricted socio-economic-political contexts. While the context I primarily engage with is contemporary China, I am attentive to how local practices and practitioners travel across the ‘borders’ and connect with one another.
Trained as a sociologist of work and culture, my research has focused on the self-employed/independent workers, freelancers, cultural workers/artists, craft workers and craft-making, and alternative communities in contemporary China. This research stream was initially driven by a curiosity about what it means to ‘being independent as a creator’ in the Chinese context. As my engagement and practices with independent cultural workers and their communities deepened, I came to recognise their individual and community-based experiments with alternative lifestyles, which is a hopeful and creative journey yet with uncertainties and very concrete obstacles. My continuing engagement with my interlocutors (since 2020) has allowed me to go deeper to one of my field sites – Jingdezhen and explore the changing meaning and politics of craft-making in China.
I enjoy teaching and exchanging ideas with students. In 2024-2025, I was a departmental lecturer in the Contemporary Chinese Studies programme at OSGA, co-teaching the Study of Contemporary China, Qualitative Research Methods, Dissertation Workshop, and offering my Master’s-level option on Creative Labour in China. In 2025-2026. I teach for the Faculty of Asian and Middle Eastern Studies (Modern China) and the School of Global and Area Studies (Qualitative Research Methods and Dissertation Workshop).
I am a college advisor here at Pembroke and am committed to strengthening the Chinese Studies community with Stanley Ho Professor Henrietta Harrison.
Articles
- Liu, R. Xu, B. 2025. “Why do we hold ‘family history’ exhibitions in today’s China?”, Made in China Journal
- Liu, R. 2024. “Feminist Alternative Practices Among Independent Artists: The Case of Guangzhou, China”, Global Media and China 9 (2) (Special Issue: Feminist Media Production and Beyond)
- Liu, R. 2023. “Identity Navigation and Self-Positioning in a Changing Craft World: Creativity and Cultures of Emerging Self-Employed Craft Workers in Jingdezhen”, Journal of Modern Craft 16 (2-3): 135-154
- Liu, R. 2022. “Drifting in China's Porcelain Capital: Self-Realization and Alternative-seeking of the Self-Employed Craft Workers in Jingdezhen”, Asian Anthropology 21 (4): 263-282.
- Liu, R. 2022. “In the Face of Instability and Marginalisation in a Gendered Craft Industry: Self-Realisation and Resilience of the Self-employed Craftswomen in Jingdezhen, China”, International Journal of Business Anthropology 12 (2): 67-77.
Book chapters
- Liu, 2020. “A Better Structural Integration Achieved? – Evidence from the Career Pathway of Second-generation French Chinese under the Perspective of Segmented Assimilation Theory”, Collection of Chinese Immigrants in Europe: Image, Identity and Social Participation. Berlin: De Gruyter Press
Other publications
- 2025,上山下地的沙巴纪行:从《叙异记》看在地与跨地的亚际行动实践[Through Sabah’s Mountains and Lands: Seeing Local and Trans-contexual Inter-Asian Practices in the ‘Narrating Localities’]. 艺术论坛[Artforum] https://www.artforum.com.cn/diary/15822
- 2025,刻印亞洲:「敘異記」中的版畫實踐與藝術行動 [Engraving Asia: ‘Woodcut Practices and Art Activism in ‘Narrating Localities’]. 博物之岛[MUSUEM]. https://reurl.cc/9nLb8Y
- 2024, 当确认了“没有另一种生活”以后:行动与日常之辨["After confirming ‘there is no other alternative life’: distinguishing (or not) between activsm and everyday life."], social-engaged art project – ‘Threading through the eye of the needle’, sponsored by "He Di Zai Chuang.
- 2024, First Love Letter, The Anartist Book Club, Asymmetry Art Foundation
- 2023, ESEA Hub, Reflections on ESEA (East and South-Eastern Asian) Conference Organising
- 2021, Sixth Tone, Jingdezhen’s Ancient Ceramics Industry Faces an Uncertain Future
- 2021, Cambridge Researcher Blog, Where to Stand in the Fieldwork? Positionality and Distance in Ethnography
- 2020, Sixth Tone, Freelancing Isn’t Free: Why It’s So Hard to Go Solo in China